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Ionic Pastoral

Ionic Pastoral © EP 2021

United Kingdom, 1996

Oil on canvas, painted ram skull, wood and slate, 214 x 197 cm

Purchased from the artist in 1999


A navigator of abstraction and conceptualism, Alex Flett has a unique artistic relationship with the European Parliament. He studied painting at the Central St Martin’s, Winchester School of Art and the Slade School of Fine Art in London. Like most artists of his generation, the romantically charged organicist writings of the late 19th century – such as D’Arcy Thompson’s On Growth & Form for example – had a lasting impact on his conception of form. His partnership with the European Parliament began with Celtic Odyssey, a sculpture that was shown in Strasbourg. From this opportunity subsequently stemmed a solo exhibition, ‘Aspects’, initially presented in Brussels and later Bruges, Maastricht and Ayr, in the artist’s native Scotland. Following this successful collaboration, the artist was invited – via the European Parliament – to become the European advisor for the International Working Group of the ‘Amasiko’ (Cultural) Programme of the XIII International Aids Conference in Durban, South Africa. This position, coupled with Flett’s pre-existing work relating to the AIDS epidemic, led him to undertake various projects in the region. Ionic Pastoral is illustrative of Flett’s capacity to mesh graphic abstraction with conceptual scenography. The painted canvas delimits the space of an installation completed by a pillar surmounted by a ram’s skull. The painting base (oil on canvas) uses Imagery from the old Celtic practise of erecting donut shaped stones through which were passed the sick, particularly children suffering from the vitamin deficiency disease Rickets, by way of a magical cure. This ancient concept is further reflected by the use of the Rams skull sitting on its shale covered wooden fence post reflecting "pagan" ignorance. However, inserted within the eyes sockets are glass lenses on the back of which are painted small Celtic Crosses. Old Celtic saints, particularly St. Columba of Iona would take over old Celtic Pagan sites and Christianise them with a cross. The Island of Iona, on the west coast of Scotland, is one of the earliest Christian foundation in Europe (6th Cent) and, as well as being the means by which Scotland became a modern Christian nation, is the burial place of its early monarchs, and the late John Smith, Scottish Socialist and former leader of the British Labour Party. Rickets and other such vitamin deficiente diseases were a serious social problem both in Scotland and Europe for hundreds of years right up to and including this present century. Many politicians of conscience, have fought to imporve both the diet and living standards of those most at risk, as St Columba fought for the soul of a small wild country 14 centuries ago. A parallel battle against that worst of enemies, ignorance. The Artist hopes that "IONIC PASTORAL" will inspire Politicians within the European Parliament to work towards the eradication of ignorance and disease wherever they are. In 1999 artist Alex Flett was invited to exhibit the solo exhibition “Aspects” in Brussels at the European Parliament buildings (facilitated by Alex Smith MEP). The show moved to Bruges in Belgium, Maastricht in Holland, and to the MacLaurin Gallery in Ayr, Scotland. The artist is also represented in many public collections, including the National Museum of Scotland and the Museum of Modern Art in New York.
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Ionic Pastoral

Alex FLETT

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