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Whip It Good

Whip It Good Photo by Kim Coleman_Bjarke Johansen

Denmark, 2016

Photography, 75 x 75 cm

Ed. 1 of 5

Purchased from the artist in 2025


Jeannette Ehlers is a prominent Danish-Trinidadian artist based in Copenhagen, well established in both the Danish and international contemporary art scenes. Her practice includes experiments across photography, video, installation, sculpture and performance, often addressing questions around memory, race and colonialism using a transnational lens and in a way that is relevant to the broader black diaspora.

Whip It Good is a photographic piece connected to a performance, by the same name, based on whipping, one of the brutal punishment methods used during slavery. Whip It Good was first performed in Berlin at BE.BOP in 2013 and it has since travelled worldwide. This photographic still is from a performance in New Orleans in 2016.

In the actual performance, the artist transforms the whip, rubbed with black charcoal, into a paintbrush, which is hit against a white canvas in a rhythmic and ritualistic gesture – first in the hands of the artist, and later offered to the participants. The ritual enacts the brutality of the transatlantic slave trade, while also transforming the body and the canvas into a series of questions and symbols.

The powerful image of Whip It Good is Ehlers’s attempt to critically reimagine and challenge racist systems of power and domination in everyday settings of urban and social environments, and is connected to the tradition of what Uri McMillan theorised as ‘performing objecthood’. This tradition, used by many artists of colour since the 1970s, focuses on the use of the racialised body by the artist both as a means of social critique and as an artistic agent and subject.

TIMELINE
Whip It Good (NOLA), 2016. Photo Kim Coleman_Bjarke Johansen

Whip It Good

Jeannette EHLERS

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