ROSINA LUI

Hygge, 2024

vintage wooden coffee table painted with acrylic, 41 x 74 x 74 cm.

 “What do we need to create hygge? Hygge — first appearing in Danish writing in the 19th century — is a universally popular word that denotes a cosy, convivial mood of contentment. It is not only an individual psychological state but also an everyday experience of togetherness, safety, equality, social flow, and personal wholeness. Behind hygge is a strong and sustainable political structure that supports each individual’s rights and freedoms of cultural, social, and political participation.

This piece — functionally a centrepiece low coffee table — captures the essence of an open, democratic, cooperative society. The coffee table has remained relevant throughout time as its design continually accommodates the evolving needs of various users. Present in both coffee houses and homes, the coffee table is simultaneously a private and shared space. This particular wider, lower version emerged after the postwar period, becoming more practical for living spaces with room for not only coffee but also books, vases, and other pleasantries. With the invention of the television in the 1950s, the surfaces of coffee tables were further lowered so that the table would not obscure the view of the television, even with objects set on it.

The coffee table is able to provide the enjoyment of various pleasantries as its weight is fairly distributed by its supportive legs. Just like a coffee table, a society risks collapse if there are no equal outcomes for all communities. In light of the European Parliament elections, we have witnessed increased polarisation driven by sensationalist narratives and media focalization that scapegoats certain demographics. Such divisive policies lose sight of sustainable humanity and economy by obstructing the accessibility and openness of resources, funding, and culture. How can we upkeep the variety and vibrancy that benefits each and everyone?

Diverse, inclusive, and fair practices are indispensable to maintaining the current strengths of an open and democratic society. Every object and ritual — from the fresh tulips bought from the Saturday market to the Delft blauw vase they are now sitting in — are possible only because of multiplicity and cross-pollination”.