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Ionic Pastoral

Ionic Pastoral © EP 2021

Reino Unido, 1996

Óleo sobre tela, crânio de carneiro pintado, madeira e ardósia, 214 x 197 cm

Comprada ao artista em 1999


Um explorador da abstração e do concetualismo, Alex Flett tem uma relação artística única com o Parlamento Europeu. Estudou pintura na Central St Martin´s, na Winchester School of Art e na Slade School of Fine Art, em Londres. À semelhança do que aconteceu com a maioria dos artistas da sua geração, os escritos organicistas romanticamente carregados do final do século XIX – tais como o On Growth & Form de D'Arcy Thompson – tiveram um impacto duradouro na sua conceção da forma. A sua parceria com o Parlamento Europeu começou com Celtic Odyssey, uma escultura exposta em Estrasburgo. Desta oportunidade resultou posteriormente uma exposição individual, denominada Aspects, inicialmente apresentada em Bruxelas e mais tarde em Bruges, Maastricht e Ayr, no país natal do artista, a Escócia. Na sequência desta bem-sucedida colaboração, o artista foi convidado – por intermédio do Parlamento Europeu – a tornar-se o conselheiro europeu do grupo de trabalho internacional sobre o programa (cultural) «Amasiko» da XIII Conferência Internacional sobre a SIDA em Durban, África do Sul. Esta posição, associada ao trabalho anterior de Flett relacionado com a epidemia de SIDA, levou-o a empreender vários projetos na região. A peça Ionic Pastoral é ilustrativa da capacidade de Flett de combinar a abstração gráfica com a cenografia concetual. A tela pintada delimita o espaço de uma instalação completada por um pilar em cujo topo se encontra o crânio de um carneiro. A base pintada (óleo sobre tela) recorre a imagens da antiga prática celta de erguer pedras em forma de dónute, que seriam atravessadas por doentes, em particular crianças, afetados pelo raquitismo, uma doença de deficiência vitamínica, para que por magia se curassem. Este conceito ancestral é reforçado pela utilização do crânio de carneiro apoiado num poste de madeira coberto de ardósia, em representação da ignorância «pagã». No interior das órbitas encontram-se, no entanto, lentes de vidro, em cujo verso estão pintadas pequenas cruzes celtas. Os antigos santos celtas, em particular São Columba de Iona, ocuparam os antigos lugares de culto dos pagãos celtas, tendo-os cristianizado com uma cruz. A Ilha de Iona na costa ocidental da Escócia é um dos berços do cristianismo na Europa (século VI) e, além de marcar o início da conversão da Escócia numa nação cristã moderna, é o local de sepultura dos seus primeiros monarcas, e do falecido John Smith, socialista escocês e antigo líder do Partido Trabalhista britânico. O raquitismo e outras doenças de carência vitamínica foram um grave problema social tanto na Escócia como na Europa durante centenas de anos, incluindo o presente século. Muitos políticos conscientes esforçaram-se por melhorar tanto a dieta como o nível de vida dos mais vulneráveis, tal como São Columba lutou pela alma de um pequeno país selvagem há 14 séculos: uma batalha paralela contra o pior dos inimigos, nomeadamente a ignorância. O artista esperava que a peça Ionic Pastoral inspirasse os políticos no Parlamento Europeu a trabalharem no sentido de erradicar a ignorância e a morbidez onde quer que estejam. Em 1999, Alex Flett foi convidado a apresentar a exposição individual Aspects nos edifícios do Parlamento Europeu em Bruxelas (promovida pelo deputado ao Parlamento Europeu Alex Smith). A exposição seguiu para Bruges na Bélgica, Maastricht na Holanda e para a Galeria MacLaurin em Ayr, na Escócia. O artista está também representado em muitas coleções públicas, incluindo no Museu Nacional da Escócia e no Museu de Arte Moderna de Nova Iorque.
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Ionic Pastoral

Alex FLETT

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    Freedom of the arts and sciences. The arts and scientific research shall be free of constraint. Academic freedom shall be respected.

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    Acquisition programme

    3rd round of acquisitions with Austria, Finland and Sweden.

  • 2001

    National parliaments exhibiton in Brussels and Strasbourg. This exhibition was created at the initiative of President Gil Robles and was officially opened on 17 December 2001 by the then President Nicole Fontaine. It consists of works of art donated or loaned by 15 national parliaments.

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    Hans-Gert Pöttering

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    Acquisition programme

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  • 2008

    Acquisition programme of works of art from Hungary and Latvia following the Bureau decision from 13 December 2006.

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    Acquisition programme

    Acquisition programme of works of art from Poland and Lithuania following the Bureau decision from 13 December 2006


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