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Ionic Pastoral

Ionic Pastoral © EP 2021

Storbritannien, 1996

Olja på duk, målad skalle från en bagge, trä och skiffer, 214 x 197 cm

Inköpt från konstnären 1999


Alex Flett navigerar mellan abstraktion och konceptualism. Han har ett unikt konstnärligt förhållande med Europaparlamentet. Han studerade måleri vid St Martin’s, Winchester School of Art och Slade School of Fine Art i London. Liksom för de flesta konstnärer i hans generation hade de romantiskt laddade organistiska skrivelserna under det sena 1800-talet – såsom till exempel D’Arcy Thompsons On Growth & Form – en långvarig inverkan på hans uppfattning av form. Hans partnerskap med Europaparlamentet inleddes med Celtic Odyssey, en skulptur som visades i Strasbourg. Från detta tillfälle följde den egna utställningen ”Aspects” som inledningsvis visades i Bryssel och senare i Brygge, Maastricht och Ayr i konstnärens hemland Skottland. Efter detta framgångsrika samarbete bjöds konstnären via Europaparlamentet in till att bli den europeiska rådgivare för den internationella arbetsgruppen för det (kulturella) programmet ”Amasiko” vid XVIII internationella aidskonferensens i Durban, Sydafrika. Denna position, i kombination med Fletts tidigare verk med koppling till aidsepidemin, ledde honom till att genomföra flera projekt i regionen. Ionic Pastoral illustrerar Fletts kapacitet att fläta ihop grafisk abstraktion med konceptuell scenografi. Den målade duken avgränsar utrymmet för en installation som fullgörs av en pelare krönt av skallen från en bagge.Det målade underlaget (olja på duk) använder ett bildspråk från den gamla keltiska sedvänjan att resa runda stenblock med hål i mitten genom vilka man sedan som ett magiskt botemedel förde personer som led av sjukdom, i synnerhet barn som led av sjukdomen rakit som orsakades av vitaminbrist. Det urgamla koncept undersöks ytterligare genom användningen av skallen från en bagge som vilar på sin skifferbelagda staketstolpe och återspeglar ”hednisk” okunskap.Inlagda i ögonhålorna finns dock linser av glas på vars baksida har målats små keltiska kors. Gamla keltiska helgon, i synnerhet Sankt Columba av Iona, brukade ta över platser som var viktiga i den förkristna keltiska tron och kristna dem med ett kors.Ön Iona, vid Skottlands västkust, är en av de tidigaste kristna kommuniteten i Europa (500-talet) och är, utöver medlet med vilket Skottland blev en modern kristen nation, även den plats där landets tidiga kungligheter och John Smith, skotsk socialist och tidigare ledare för det brittiska Labour-partiet, finns begravna.Rakit och andra sjukdomar orsakade av vitaminbrist var ett allvarligt socialt problem både i Skottland och Europa under hundratals år, fram till och inklusive det nuvarande seklet. Många samvetsgranna politiker har kämpat för att förbättra både kosten och levnadsstandarderna för de mest sårbara, liksom Sankt Columba kämpade för ett litet, vilt lands själ för 14 sekler sedan. En parallell kamp mot den allra farligaste fienden – okunskap. Konstnären hoppas att Ionic Pastoral kommer att inspirera politiker i Europaparlamentet att arbeta för utrotandet av okunskap och sjukdom varhelst dessa härjar.År 1999 bjöds Alex Flett in för att hålla den egna utställningen ”Aspects” i Bryssel i Europaparlamentets byggnader (behjälpt av Europaparlamentsledamoten Alex Smith). Utställningen gick vidare till Brygge i Belgien, Maastricht i Holland och till galleriet MacLaurin i Ayr, Skottland. Konstnären finns också representerad i många offentliga samlingar, inklusive National Museum of Scotland och Museum of Modern Art i New York
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Ionic Pastoral

Alex FLETT

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