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Poland

Poland © EP 2021

Grèce, 2008

Sérigraphie, lithographie et collage, 69 x 100 cm

Signé et daté «2008» (en bas à droite)

Don du maire d’Athènes, Nikitas Kaklamanis, en 2008


L’art de Pavlos Dionyssopoulos est imprégné de la sagesse de la Grèce antique, car, tout autant que la vie, il est en flux constant. Après avoir étudié à l’Académie des Beaux-Arts d’Athènes (1949-1953), il se rend à Paris grâce à une bourse d'État pour suivre les cours de la Grande Chaumière. Ce voyage élargit ses horizons artistiques. De retour à Athènes, il travaille dans la publicité et le théâtre avant de revenir à Paris en 1958, cette fois avec une bourse de trois ans du gouvernement grec (IKY). Une fois installé dans la Ville Lumière, il se lie avec Pierre Restany et les nouveaux réalistes, qui l’aident à percevoir le caractère artistique des matériaux bon marché du quotidien. Le papier, les prospectus, les affiches et les tracts deviennent ses matériaux de prédilection, qu’il découpe et déchiquette. Une communication de masse au moyen de produits fabriqués en masse et qui font la promotion de la consommation de masse. Les biens de consommation vantés sur ses surfaces transformées finissent par trouver un chemin dans son travail: des chemises, des cravates ou des chaussettes y sont représentées au moyen de lignes en spirale, comme un tourbillon. Signes précurseurs d’un changement de perspective à venir? Sa série de 28 drapeaux européens témoigne de la prédilection de l’artiste pour le papier d’une façon subtile mais empreinte de signification. Chacun des drapeaux représentés est recouvert d’un filtre de bandelettes de papier qui, tels des confettis, voilent le symbole national au point de le rendre presque méconnaissable (le motif est le même sur les 28 drapeaux). Ainsi, l’artiste remet en question ces symboles tout en les unissant. Chacun a une identité propre tout en partageant un système commun. Cette série a été réalisée à une époque où Dionyssopoulos remettait en question l’opulence consumériste qui l’avait amené à son procédé au moyen des matériaux et des symboles mêmes qui l’avaient jadis fasciné, et nous avaient fascinés aussi.

Du même artiste

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Pavlos DIONYSSOPOULOS

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    Charter of Fundamental Rights

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    Article 13.
    Freedom of the arts and sciences. The arts and scientific research shall be free of constraint. Academic freedom shall be respected.

    Charter of Fundamental Rights of the European Union (2000/C 364/01)


    Acquisition programme

    3rd round of acquisitions with Austria, Finland and Sweden.

  • 2001

    National parliaments exhibiton in Brussels and Strasbourg. This exhibition was created at the initiative of President Gil Robles and was officially opened on 17 December 2001 by the then President Nicole Fontaine. It consists of works of art donated or loaned by 15 national parliaments.

  • 2002

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    Euro is launched

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    Treaty of Nice

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    Josep Borrell

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    Eastern enlargement

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  • 2007

    Hans-Gert Pöttering

    Hans-Gert Pöttering served as President of the European Parliament from 2007 to 2009.


    Acquisition programme

    Acquisition programme of works of art from Cyprus, Czechia and Estonia following the Bureau decision from 13 December 2006


    Enlargement: Bulgaria, Romania

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  • 2008

    Acquisition programme of works of art from Hungary and Latvia following the Bureau decision from 13 December 2006.

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    2009 European elections

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    Jerzy Buzek

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    Acquisition programme

    Acquisition programme of works of art from Poland and Lithuania following the Bureau decision from 13 December 2006


    Lisbon Treaty

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  • 2010

    Acquisition programme of works of art from Slovakia, Slovenia and Malta following the Bureau decision from 13 December 2006

  • 2011

    Acquisition programme

    Acquisition programme of works of art from Bulgaria and Romania following the Bureau decision from 13 December 2006


    (…) artistic trades constitute one of the pillars on which our cultural heritage and our economy rest (…) their continuity must therefore be safeguarded by means of appropriate mechanisms for passing on knowledge and skills, as emphasised in Parliament’s resolution of 10 April 2008 on cultural industries in Europe (…)

    European Parliament resolution of 12 May 2011 on unlocking the potential of cultural and creative industries (2010/2156(INI))

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    Art@Europarl

    The Art@Europarl exhibition presents a small selection of 27 works, mostly paintings, by artists from 27 EU countries at the Parlamentarium, the Parliament’s visitors center. It’s the first time that the general public has direct access to part of the collection.


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    Acquisition programme

    Acquisition programme of works of art from Croatia following the Bureau decision from 13 December 2006.


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    Antonio Tajani

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