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Ionic Pastoral

Ionic Pastoral © EP 2021

Reino Unido, 1996

Óleo sobre lienzo, cráneo de carnero pintado, madera y pizarra, 214 x 197 cm

Comprado al artista en 1999


Alex Flett, un navegante de la abstracción y el conceptualismo, tiene una relación artística única con el Parlamento Europeo. Estudió pintura en las escuelas Central St Martin’s, Winchester School of Art y Slade School of Fine Art en Londres. Como la mayoría de los artistas de su generación, los escritos orgánicos con carga romántica de finales del siglo XIX, como el de D'Arcy Thompson «On Growth & Form» por ejemplo, tuvieron un impacto duradero en su concepción de la forma. Su asociación con el Parlamento Europeo comenzó con Celtic Odyssey, una escultura que se expuso en Estrasburgo. A partir de esta oportunidad surgió más tarde una exposición individual, «Aspects», presentada inicialmente en Bruselas y más tarde en Brujas, Maastricht y Ayr, en la Escocia natal del artista. Tras esta fructífera colaboración, el artista fue invitado, a través del Parlamento Europeo, a convertirse en asesor europeo del Grupo de Trabajo Internacional del Programa «Amasiko» (Cultural) de la XIII Conferencia Internacional sobre el Sida en Durban (Sudáfrica). Este puesto, junto con el trabajo previo de Flett relacionado con la epidemia de sida, le llevó a emprender varios proyectos en la región. Ionic Pastoral es un ejemplo de la capacidad de Flett para combinar la abstracción gráfica con la escenografía conceptual. El lienzo pintado delimita el espacio de una instalación acabada con un pilar sobre el cráneo de un carnero. La base de la pintura (óleo sobre lienzo) utiliza la imaginería de la antigua práctica celta que consistía en erigir piedras con forma de dónut a través de las cuales se pasaba a los enfermos, en particular a los niños que sufrían la enfermedad de deficiencia vitamínica, raquitismo, a efectos de una curación mágica. Este antiguo concepto se refleja aún más en el uso del cráneo de un carnero sobre un poste de madera cubierto de esquisto que refleja la ignorancia «pagana». Sin embargo, dentro de las cuencas de los ojos hay lentes de vidrio en cuya parte posterior hay pequeñas cruces celtas pintadas. Los antiguos santos celtas, en particular San Columba de Iona, se apoderaban de los antiguos lugares paganos celtas y los cristianizaban con una cruz. La isla de Iona, en la costa occidental de Escocia, es una de las primeras fundaciones cristianas de Europa (siglo VI) y, además de ser el medio por el que Escocia se convirtió en una nación cristiana moderna, es el lugar de enterramiento de sus primeros monarcas y del difunto John Smith, socialista escocés y antiguo líder del Partido Laborista británico. El raquitismo y otras enfermedades de deficiencia vitamínica de este tipo fueron un grave problema social tanto en Escocia como en Europa durante cientos de años hasta el presente siglo. Muchos políticos con conciencia lucharon por mejorar tanto la dieta como el nivel de vida de los que corrían más riesgo, como San Columba, que luchó por el alma de un pequeño país salvaje hace catorce siglos. Se trata de una lucha paralela contra el peor de los enemigos: la ignorancia. El artista espera que Ionic Pastoral inspire a los políticos del Parlamento Europeo para trabajar en la erradicación de la ignorancia y la enfermedad dondequiera que estén. En 1999, el artista Alex Flett fue invitado a exponer la exposición individual «Aspects» en los edificios del Parlamento Europeo en Bruselas (con la colaboración del diputado Alex Smith). La exposición se trasladó a Brujas, en Bélgica, a Maastricht, en los Países Bajos y a la MacLaurin Gallery en Ayr, en Escocia. El artista también figura en muchas colecciones públicas, entre ellas el Museo Nacional de Escocia y el Museo de Arte Moderno de Nueva York.
TIMELINE
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Ionic Pastoral

Alex FLETT

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    Acquisition programme

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